Discipline 02 / Selected work / Sound on when invited
Sound with a job to do. Interface feedback, foley, atmosphere, narrative score, voice performance, strange radio, music systems, and tools for changing what recorded sound can become.
The sound desk at B&E is operated by composer, producer, sound designer, performer, and creative developer Azakaela Erin Redfire. Buttons, monsters, weather systems, and radios report here.
01 / Narrative scoreComposition / Voice / Sound design
A scoring and performance study for an original Dracula audio drama written by Amanda Barringer. The music treats Dracula as a conquering immortal who has already won—and is desperate to feel color return.
A central leitmotif in D harmonic minor moves through brooding, hunger, and reprisal. Harpsichord, organ, guitar, bass, cinematic percussion, bells, and strings carry its identity through every change in posture.
Cue sheet / Select to load
02 / UI + foleyRecorded source / Editorial shaping / Interaction
Cards, keys, a mouse, a lighter, and the surface beneath them—recorded as physical material, then cut into a compact interface vocabulary. Click the library. Each sound is intentionally short, distinct, and ready to carry an action.
03 / AtmosphereWeather / Texture / Dynamic range
A compact weather study built from thunder, rain, and the resonance of a tin roof. The long bed establishes a continuous place; the isolated moments preserve the violence and personality inside it.
Atmosphere sets scale, distance, material, danger, and the amount of silence a scene can survive.
Field monitor / Please respect Thor
04 / Original musical worldsComposition / Production / Direction
Artifact / The Dream of Luna
Written, composed, produced, and mixed by Azakaela, with an ensemble cast, original lore, theatrical direction, and mastering by Phil Zeo. The project treats songs, spoken scenes, recurring musical ideas, and worldbuilding as one continuous dramatic system.
CasinoWave / Original genre + sound system
CasinoWave combines retro synthwave, arcade reward language, cheap glamour, pulse waves, and casino spectacle. The work expanded from an album into a reusable production system: 32 Sylenth1 presets, a SoundFont, sampler-ready sounds, and a curated effects library.
Premiere selections / Pull the lever
05 / Voice + radioPerformance / Timing / Production
Tawky’s Radio Show is a performance and production format built around a talking radio, rotating voices, and short transmissions that can become absurd, sincere, commercial, ominous, or all four. These are three selections from a run of more than 90 skits.
06 / Audio systemsDSP / Tools / Dynamic implementation
A browser-based instrument for cassette, television, camcorder, cartridge, CD, comms, and other forms of imperfect recorded memory.
Open the instrument →A loop-based music maker with real-time arrangement, mix controls, effects, tempo changes, randomization, and WAV export.
Open Beat Magic ↗Adaptive musical systems, fictional-game scores, loops, stingers, UI packs, and implementation shaped around play, pacing, and player action.
Browse game-audio work ↗Custom instruments and processing tools developed where composition, interface design, and audio DSP overlap.
Visit B&E tools →The archive is much larger than this page
The wider archive holds albums, soundtracks, dynamic game scores, ambience packs, UI sounds, free music libraries, experiments, and music licensed for other people to build with.
Available for the right strange thing
Bring the scene, interface, story, raw recording, impossible reference, or half-formed sound in your head. We’ll figure out what job the audio needs to do.
Start an audio consultation ↗